While you can log into ASCAP or BMI and register a song yourself, you probably shouldn’t. If you register only as a songwriter, you are only collecting the Writer’s Share (50% of the pie). Without a publisher to claim the Publisher’s Share, that other 50% often sits unclaimed in a “black box” or is eventually given away to other artists. At Audiobulb, we handle the registration for you to ensure you get 100% of your earnings globally.


1. The 50/50 Split: The “Half-Empty” Truth

Every song’s publishing is split into two equal halves:

The Risk: If you register your song as an individual songwriter and leave the “Publisher” field blank (or don’t have a registered publishing entity), most PROs will not pay you that second half automatically.

Note: BMI uses a placeholder called “Manuscript” to help, but ASCAP generally will not pay the publisher’s share to an individual writer unless they also pay for and manage a separate “Publisher Account.”

2. Why DIY Registration Fails Globally

Even if you manage to register both halves at your home PRO (like ASCAP), your work isn’t done.


3. How Audiobulb Does the Job for You

When you let Audiobulb handle your song registration, the process shifts from a manual chore to a global launch:

FeatureDIY RegistrationAudiobulb Registration
EffortHours of manual data entry per song.One-time upload; we do the rest.
EarningsOften only 50% (Writer’s Share).100% (Writer + Publisher Shares).
Mechanicals❌ Not collected.✅ Collected via The MLC & others.
Global ReachUSA only (via reciprocity).Direct registration in 100+ countries.
MetadataProne to human error.Pro-vetted for ISRC/ISWC accuracy.

4. Step-by-Step: The Professional Way

Instead of navigating the confusing “Add New Work” portals at ASCAP or BMI, here is the professional workflow:

  1. Submit to Audiobulb: You provide the song title, your co-writer splits, and the ISRC code (from your distributor).
  2. Metadata Scrubbing: Our team verifies the data. A single typo in an ISRC can result in thousands of dollars in “unmatchable” royalties.
  3. The “Global Blast”: We register the song simultaneously with your PRO (Performance), The MLC (US Mechanicals), and our network of international sub-publishers.
  4. The “Black Box” Scan: We don’t just register for the future; we use your data to scan for unpaid royalties from the past that were never claimed.

FAQ: Registration Secrets

If I already registered my songs, can Audiobulb take over?

Yes. This is called a “Letter of Direction” (LOD). You don’t have to delete your old registrations; we simply notify the PRO that we are now the administrator. We “clean up” your existing data to make sure both halves are being collected.

What happens to the “Publisher Share” if I don’t have a publisher?

It depends on the society. In many cases, if it’s not claimed within 2–3 years, that money is moved into a “Black Box” fund and distributed to the top-earning 1% of artists (the ones who already have plenty of money!).

Does my distributor register my songs with the PRO?

No. This is a common misconception. Distributors like DistroKid or TuneCore (basic tier) only handle the recording royalties. They do not register your composition with ASCAP, BMI, or The MLC unless you pay for their separate “Publishing” add-on.


Summary

Registering a song yourself is like building half a bridge. You can see the money on the other side, but you have no way to reach it.

Your Next Step: Don’t work for 50% of your pay. Join Audiobulb and let us handle the tedious, high-stakes work of global song registration. We ensure every song you write is a “Full Bridge” to your global royalties.