Sync income is split into two distinct parts: the Upfront Fee (paid by the production company to license the song) and the Backend Royalties (generated every time the show or film is broadcast or streamed). To collect both, you need to clear two licenses: the Master and the Sync. While a distributor helps with the Master, Audiobulb’s Sync Pitching service and administration ensure you actually capture the backend performance royalties that distributors cannot reach.


1. The Two-Part Paycheck

When your music is “synced” to a visual, you don’t just get paid once. You are entering a two-stage payment cycle:

Part A: The Upfront Sync Fee (The “Buy-In”)

This is a one-time payment made by the film studio, ad agency, or TV network.

Part B: The Backend Royalties (The “Residuals”)

This is where the long-term wealth is built. Every time that TV show airs on a network or is streamed on a platform like Netflix, it generates Performance Royalties.


2. The Licenses That Trigger the Money

To get paid, two “permissions” must be granted. If you don’t have an administrator, these legal hurdles can block your payment.

License TypeWhat it CoversWho Usually Pays?
Master LicenseThe actual audio recording.The Production Company to the Artist/Label.
Sync LicenseThe lyrics and melody.The Production Company to the Songwriter/Publisher.

3. The “Distribution Trap”: Why You’re Losing the Backend

Most independent artists use a distributor (DistroKid, TuneCore, etc.) to get their music on Spotify. They assume this distributor will also handle their sync royalties. This is a $10,000+ mistake.


4. How Audiobulb Completes the Sync Cycle

At Audiobulb, we don’t just help you find the deal; we make sure the deal pays you forever.

5. Summary: The Professional Sync Setup

  1. Recording: Have a high-quality WAV and Instrumental version.
  2. Distribution: Use your distributor to get the song on Spotify for “social proof.”
  3. Audiobulb: Use us to manage the publishing, pitch to supervisors, and collect 100% of the backend royalties worldwide.

Conclusion

Sync royalties are the “gift that keeps on giving,” but only if the pipes are connected. If you rely solely on a distributor, you are effectively leaving half of your career’s potential earnings on the table. Be a professional: own your master’s, but administer your publishing.

Your Next Step: Are you ready to start earning royalties from TV and film? Join Audiobulb for $19.99/year to access our Sync Pitching Service and ensure you capture 100% of your global performance and mechanical royalties.